Creating Through the Static

There is a strange kind of homelessness that has nothing to do with an address.

It happens when your things are packed before your mind has caught up.

When the familiar objects that quietly told you who you were each morning have disappeared into boxes, trucks, storage, somewhere between here and there. The walls remain, but they stop reflecting you back.

I hadn’t realized how much of a life is held in ordinary things.

The cup you always reach for.

The painting leaning slightly crooked because you never bothered to fix it.

The drawer that sticks.

The place where your shoes collect by the door.

None of it seems important until it is gone.

And then suddenly you are standing in a room that technically belongs to your life, but somehow doesn’t feel like yours.

I keep thinking transition should feel more exciting than this.

There should be momentum.

A soundtrack.

Some cinematic version of me walking toward the next chapter with exactly the right amount of courage and one impossibly well-packed suitcase.

Instead, there are days when I feel suspended.

Not sad exactly.

Not afraid.

Not even impatient.

Just slightly outside of myself.

As though some part of me has already left while the rest is still waiting for permission to follow.

Maybe that is what the in-between actually is.

Not a bridge between two solid pieces of land, but a place of its own.

A room between rooms.

There is nothing to decorate here because you’re not meant to stay long enough.

Nothing to organize because everything is temporary.

Nothing to become attached to because departure is already written into the walls.

And perhaps that is why it feels so uncomfortable.

We spend so much of our lives building anchors.

Homes. Routines. People. Jobs. Coffee shops. Grocery-store aisles we can walk without thinking.

Tiny coordinates that whisper:

you are here.

Then life removes enough of them at once and asks a much stranger question.

Who are you when nothing around you is confirming it?

I don’t think I’ve completely answered that yet.

Maybe I’m not supposed to.

There is something quietly revealing about having nowhere to hide your identity. No carefully arranged home. No familiar rhythm. No belongings positioned around you like evidence.

Just you.

A few bags.

Some borrowed space.

And whatever has become permanent enough to travel without being packed.

I’ve spent years believing becoming meant adding things.

Wisdom.

Confidence.

Experiences.

Boundaries.

Stories.

Places.

People.

But lately I wonder whether becoming is sometimes subtraction.

Life removing one recognizable thing after another until you discover what remains when there is nothing left to introduce you.

I don’t particularly enjoy this part.

I would love to skip ahead.

To the first morning somewhere new. The unfamiliar birds outside. The first grocery run. The moment I put something insignificant on a shelf and realize, almost accidentally, I live here now.

But skipping this would mean missing something too.

Because someday the unfamiliar will become ordinary again.

I’ll know which roads to take without directions.

I’ll have a favorite place to sit.

I’ll complain about something I once found charming.

I’ll build anchors without realizing I’m building them.

And this strange little stretch of nowhere will disappear behind me.

So perhaps the work isn’t figuring out how to escape the in-between.

Perhaps it is noticing it.

Standing here long enough to understand that a life does not stop being mine simply because I cannot currently recognize its shape.

There are rooms we live in.

And there are rooms that empty us out before we enter the next one.

I’m beginning to think both count as home.

The Phoenix Exchange

The creative home of author and artist Skye Mari, featuring poetry, fine art, photography, canvas prints, and books that inspire healing, reflection, and transformation.

https://thephoenix-ex.com
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The Hands Holding It Have Changed

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Turn Intention Into Action